Rosengren to Premiere Frank Ticheli’s Clarinet Concerto in April 2010
October 1, 2009
Frank Ticheli’s new Concerto for Clarinet is a beautiful, dramatic and virtuosic work filled with contrasting expressions. It is written in two versions—one for clarinet solo with orchestra and the other for clarinet solo with wind symphony. A magnificent work in an American voice, the Clarinet Concerto will be premiered by Rosengren in Europe on April 17, 2010 with Robertas Servenikas leading the Lithuanian National Symphony and in the U.S. on July 11, 2010 with JoAnn Falletta conducting the Texas Festival Orchestra. Rosengren will premiere the wind symphony version in November 2010.
Breathtaking and Imaginative Weber in Los Angeles at the L’Eremitage
September 15, 2009
Rosengren’s performance with Russian pianist Mikhail Korzhev at the L’Eremitage Foundation chamber series was met by seemingly endless applause. The duo performed a breathtaking rendition of Weber’s Grand Duo Concertant—a melodically imaginative and virtuosic performance of a difficult work. And Brahms’ Sonata no. 1 was given a reading of unique musical depth and tonal quality. The encore, Canzonetta by Gabriel Pierne, was completely charming.
Spellbinding Performance in Houston
August 30, 2009
Rosengren and pianist Rick Rowley presented a memorable performance in Houston’s Jones Symphony Hall in front of a large and appreciative audience. The Rosengren-Rowley Duo played Messager’s Solo de Concours and Weber’s Duo Concertant with imaginative conviction, strongly personable musical style, and virtuosic instrumental prowess.
Rosengren’s 13th year at Festival Hill
July 20, 2009
In his thirteenth year at Festival Hill in Round Top, clarinetist Rosengren was featured in music by Bernstein and Brahms, among other works, and mentored three uniquely talented clarinet students, all with a bright futures: Portuguese Hugo Azenha and Americans Jason Shaefer and Alana Alexander.
Ravishing chamber music performances
May 20, 2009
The third annual Fayetteville Chamber Music Festival took place May 5-17, during which Artistic Director Håkan Rosengren was joined by pianists Phillip Bush and Rick Rowley, Polish cello virtuoso Andrzej Bauer and the New York based Biava Quartet. The Festival presented nine concerts; seven in the Moravian room at the Country Place Hotel, a Children’s Concert, and a celebrated concert at the Hobby Center in downtown Houston, on May 13 attended by the Swedish Consul Jan Dryselius. The Festival musicians were featured twice on Houston’s KUHF Radio’s live “Front Row” and also on KMFA and KUT Radio in Austin, and KAMU Radio in College Station.
Standing Ovations for Rosengren’s Mozart Concerto
April 21, 2009
Hakan Rosengren’s two performances of the Mozart Clarinet Concerto with the Santa Barbara Symphony, Nir Kabaretti conducting, received standing ovations from a capacity audience at the Granada Theatre in downtown Santa Barbara.

The Santa Barbara News Press wrote:
“The spotlight went both tight and wide to clarinetist Hakan Rosengren’s stately star turn on Mozart’s Clarinet Concerto. Mr. Rosengren knows this popular concerto intimately and he lends it a masterful reading. That is to say, his performance Sunday was one of technical finesse, dynamic nuances and a certain emotional vibrancy, as if he is still uncovering hidden virtues in the score. Mr. Rosengren’s approach is anything but glib or facile, but rather, is imbued with the control of and wonder at the music before him. What’s not to love when the performer is this duly engaged and gifted?”

The Santa Barbara Independent added:
“The extent to which the well-regarded Rosengren’s technique shone in the latter piece [Mozart Concerto] came as no surprise, but only the most jaded viewers could fail to be impressed by the man’s presence as well. The Swedish clarinetist’s confidence, up front and center without the safety net of a score, bordered the unnatural. The familiar piece’s remarkable clarity made for a seductive follow-up to the operatic burst that opened the performance.”
Ravishing Presentation of Weber’s Concerto no. 1
March 15, 2009
Hakan Rosengren’s performance of Weber’s Concerto in Orange County’s Meng Hall with Kimo Furumoto and CSUF Symphony received ovations that wanted never to stop. The soloist played with an incomparable emotional charge, tonal beauty, technical virtuosity and deep musical understanding of the score.
Beautiful Recital by Rosengren and Schumann
February 25. 2009
Håkan Rosengren’s collaboration with pianist Michelle Schumann, Artistic Director of Austin Chamber Music Center, was inspiring in the Hillman Series at Mary Hardin Baylor University. The program included outstanding interpretations of Brahms’ Sonata in E flat Major, op. 120 no. 2, Schumann’s Fantasy Pieces, and Debussy’s Premiere rhapsodie. Rosengren/Schumann is a vibrant duo that will continue to enrich the chamber music scene in the Austin area.
Frank Ticheli starts work on Clarinet Concerto for Håkan Rosengren
December 20, 2008
The Los Angeles-based composer Frank Ticheli, perhaps the most performed American composer, announced that he is now ready to begin his work on this commission. This is a collaboration that has already attracted a lot of interest from orchestras and conductors around the globe and is likely to produce a work of tremendous beauty and excitement.
Sparkling success with the National Symphony
November 15, 2008
“Silk isn’t as smooth as Håkan Rosengren’s clarinet sound” is what one critic exclaimed after Rosengren’s performance in Vilnius, Lithuania with the Lithuanian National Symphony Orchestra and conductor Robertas Servenikas. Debussy’s Premiere rhapsodie and Martin Willert’s Hallucination were exquisitely performed and drew overwhelming ovations. Rosengren’s performance of Debussy was called “shimmering and very beautiful,” and Willert’s work—written for Rosengren—was described as “just, wow” and “tailor-made for Rosengren.”
Rosengren Opens New Theater in Houston
October 15, 2008
In October, Håkan Rosengren, in collaboration with pianist Michelle Schumann, Artistic Director of Austin Chamber Music Center, inaugurated the new Owen Theatre in Conroe Texas, outside Houston, in a performance met with tremendous accolades. Rosengren and Schumann mesmerized the capacity audience with a program of delightful treats by Schumann, Brahms, Messager, Pierne and Saint-Saens for the opening performance, celebrating the new theater.
Rosengren in Weber’s Concertos and Concertino on SMS Classical: Stunning
September 15, 2008
The latest recording of Weber’s Concertos and the Concertino for clarinet and orchestra featuring Rosengren with the North Czech Philharmonic, Charles Olivieri-Munroe conducting, has been called “stunning” and “a lively, expressive performance.” Just released on SMS Classical, it represents Rosengren’s deep affinity with and long love of Weber’s music for clarinet. Coupled with Rosengren’s innate understanding of the early Romantic idiom, the recording inspires a fresh, virtuosic, expressive performance. Soloist and orchestra sound with one voice, bringing passionate high points and drama in the music.
Rosengren’s 12th Year in Residence at Festival Hill
July 20, 2008
Year 2008 was Rosengren’s 12th consecutive year performing on the artist-faculty at the International Festival-Institute at Round Top, a six-week summer orchestra and chamber music program for young professional musicians in south-central Texas. This year, Rosengren was soloist with the Texas Festival Chamber Orchestra in an acclaimed performance of Richard Strauss’ Duet Concertino. Messian’s sublime Quartet for the End of Time, Beethoven’s Quintetfor Piano and Winds, and Beethoven’s Sextet all featured Rosengren
Fayetteville Chamber Music Festival: a Texas Triumph for Rosengren
June 1, 2008
The 2nd Annual Fayetteville Chamber Music Festival presented outstanding performances by a sensational line-up of artists. Artistic Director Håkan Rosengren had assembled a cast of the kind of quality rarely seen in any chamber music festival.
Ohio audience in ecstasy over Brahms and Mozart
May 17, 2008
After performances of the quintets by Brahms and Mozart in Cleveland’s Rocky River Chamber Music Society and Wooster’s Chamber Music Society Håkan Rosengren and Chiara Quartet were celebrated with applauses and ovations that would never want to stop.
Swedish Tour a Huge Success for Rosengren and Chiara Quartet
May 16, 2008
During the spring tour 2008 in Sweden with concerts in Falkenberg, Lund (Malmö), Stockholm, Ljusdal, Kilafors, Sandviken, Hudiksvall, and Söderhamn Håkan Rosengren and Chiara Quartet received standing ovations and rave reviews in every concert for their performances of Brahms and Mozart quintets. And seven of eight organizers increased their audience numbers with between 50 to 100 percent compared to their normal concert attendance.Camilla Dal in Gefle Dagblad calls it a “Brilliant performance”. Ljusdals-Posten verdict is that it was“Wonderful”. Hudiksvalls Tidning exclaims “A complete musical success” and continues “The musicians play as pure as the Italian word chiara (clear and pure) promises, with a complete control in all areas: tonal balance, timing, agogic, expression, and technical virtuosity”. Söderhamns Kuriren adds: “Chiara and Håkan Rosengren possess the most subtle five-some unity imaginable, in which the clarinet with its different timbre has somewhat of a starring role”. Ljusnan is no less impressed and states: “With his beautiful sound, virtuoso technique, and musical presentation, Håkan Rosengren was in symbiosis with the Chiara Quartet”.
A Sublime Mozart Interpretation by Rosengren, BVSO, and
March 5, 2008
Håkan Rosengren’s performance with Brazos Valley Symphony and Brazilian conductor Marcelo Bussiki was a sublime and spellbounding presentation of this 1791 masterpiece with a quality rarely heard anywhere in the world. After the final note the capacity audience flew to their feet and gave Rosengren a standing ovation of a length never experienced before in College Station.
Rosengren and Epperson in Stunning Collaboration
February 28, 2008
Håkan Rosengren’s performance and masterclass with collaborative piano phenomenon Anne Epperson at University of Colorado, Boulder was met by reverence by the large audience of students, faculty and other music lovers. The Saint Saens’ Sonata was a revelation of particular notice as well as the teaching demonstration on the Carl Nielsen Clarinet Concerto.

reviews

Immediately memorable musical personality.
New York Times

Physically and spiritually one with his instrument.
Svenska Dagbladet, Stockholm

Like a human voice of subtlety and range.
Cleveland Plain Dealer, Ohio

A profound emotional experience.
Hufvudstabladet, Helsinki

Sensitive, colorful and magical.
Neue Zeit, Berlin